At the beginning of March I attended one of the most stimulating workshops I have so far been to. I had seen Cherry Nichol do a demo at a Constantia Art Society meeting and absolutely loved her work. It was also very fiddley and I must say, I love to fiddle! She firstly paints beautiful washes onto her drawing in the colours she has chosen. Then, painting into the negative spaces she goes into the background and uses a gel called ATP paste (similar in smell to wood glue) which she blends into the wet paint. Then, she uses a tooth pick or pallette knife to move the paint around forming ghost like flowers and foliage. She uses gouache to cover any underpainting e.g. stems and then goes in with Leaf Green and Shadow Green to really bring out the colour. A tiny brush is used to paint Sepia into the darkest areas to highlight the lights. She grates water colour pencil into the wet paint. The splashes of white in the poppies are gouache flicked onto the page from a paintbrush. These are my attemps at the poppies and landscape - a far cry from her expertise, but I am rather chuffed with the outcome. One of the biggest lessons I learned was that there should always be three values. Go in with washes for your first value then go in darker with the second and for the third value go in even darker! Amazingly enough I had not gone in dark enough with the landscape until I looked at the demo she had done and realized my mistake I went in darker on the trunks of the trees and the whole thing began to sing! Needless to say, despite being somewhat brain dead after the workshop, I learned so much! Thank you Cherry, you are an inspiration!
SOLD Slangkop lighthouse is the tallest iron tower on the South African Coast and sits at the one end of Kommetjie. It measures 100 feet from base to the balcony and has been operational since 1919. Every lighthouse has a different frequency of flashes and this one emits four flashes every 30 seconds as it turns and can be seen for 33 sea miles. Here is an oil painting of the lighthouse from a photograph Bryan took. I would like to do a watercolour of it sometime soon.